Artist's Statement

My work explores the interconnected relationships of Earth’s diverse life forms and ecosystems so vital to the planet’s survival. There is an enormous amount of knowledge yet to be learned about these complex networks and yet we continue to negatively impact and often destroy them. Global warming, pollution and loss of habitat are only a few examples of the consequences of human indifference.

Growing up on a tiny island in Canada, I witnessed the transformation of our lake’s crystalline waters changing with obvious signs of pollution. Later on, while living in the South Pacific, I saw clear evidence of invasive species and witnessed the awesome beauty of life in the coral reefs that are now affected by coral bleaching. I moved to Texas as a young adult and fell in love with the Gulf Coast ecosystems. Of course, like all Texans, I have witnessed the effects of rising sea levels, floods, and industrial incursion on coastal wetlands and how these conditions effect both humans and wildlife. Profoundly moved by all these changes, I developed a passionate regard for the planet and its life forms. As a result, I wanted to find an art material that could conceptually evoke fragility. I wanted something that looked like glass but offered many creative possibilities.

In the late 90’s I began working with recycled Plexiglas and polycarbonate and found that these substances perform with amazing versatility. For example, I can cut this material into hundreds of units that are shaped with heat and are chemically bond-ed together to create large two- and three-dimensional works for the wall, floor and ceiling. Many of the suspended forms rotate with the slightest air currents due their light weight. The acrylic can receive a variety of media that is applied to the front and back of the forms. The painted surfaces are translucent and provide greater depth and luminosity.

While I utilize other materials in my work such as wood, fiber, sand and found materials, the recycled Plexiglas offers endless possibilities. Furthermore, it also offers compelling conceptual strengths that underscore my core concerns regarding the fragile balance of life on our planet. The glass-like appearance implies the possibility of breakage as a sudden impact could shatter an entire vital network. It is a powerful metaphor for the tenuous existence of all life.

Click here to download the Profile Package for Margaret Smithers-Crump.

Artworks by Margaret Smithers-Crump are included in the following Camiba Gallery exhibits:

Kinship ~ November 2021

INSIGHT: CAMIBAart Artists’ Perspectives on 2020

Staying Home - April 2020

SPEECHLESS - October 2017

Truly: Imagined – December 2015

CAMIBAart Gallery Artists – November 2015

Cycles of Life – May 2015